On the surface, Slaxx seems like it would be a ridiculous film with very few redeeming qualities. But the preposterous premise is presented with tongue fully in cheek and there’s even...
We Need To Do Something leaves its viewers trapped within the confines of a family’s implosion, building tension at an excellent pace, and dropping scares at all the right moments. This is the ...
It is surprising to me Dario Argento cites The Cat O’ Nine Tails as one of his least favorite of his films. I consider The Cat O’ Nine Tails a thrilling murder myster...
Horror fans who love 90s nostalgia should add Are You Afraid of the Dark? Curse of the Shadows to their watch list. This updated version of the beloved Nickelodeon classic is back and it’s grea...
Baby Money proves that having kids changes people in all sorts of ways. Once Minny (Danay Garcia) sees her little girl on the ultrasound screen, she’s fiercely determined to give her child the b...
From the opening strains of Power Glove’s classic power-pop anthem “Motorcycle Cop,” we know we’re in safe hands with The Last Matinee (aka Al Morir La Matinée). A Spa...
Rob Jabbaz’s The Sadness absolutely earned the trigger warnings that accompanied its screenings at Fantasia Fest 2021. Those who do not wish to contemplate copious gore, cannibalism, sexual abus...
Ultrasound is unafraid to introduce the abstract and off kilter within its first few frames. A wash of inky blue and jet black is shot in wide angle, only recognizable as a car driving down a mou...
With a title like Martyrs Lane, you might be expecting something relentlessly gory, but Ruth Platt’s third feature doesn’t actually take place in the eponymous spot. Rather, it’s ...