As scary as sleep paralysis, intense nightmares, etc. are there are very few horror movies that actually deal with these conditions effectively; Sleep (or Schlaf, auf Deutsch) looks set to cha...
Woman Of The Photographs opens with a reflection in a shop window, a small photo studio in an unspecified Japanese city. Sai (Hideki Nagai), the owner and only photographer, steps out to clean the gla...
As many undead hordes as have shuffled across screens in the past two decades, Lars Damoiseaux’s Yummy is likely the only one created with the assistance of the VAF, a Flemish arts grant usually...
House of Wax (2005) turns fifteen in April. So, what better time to take a look back at the oft-maligned slasher redux to determine if it deserves the hate that is so often thrown its way. For th...
The Columnist is one of the North American premiers at Fantasia Fest 2020, and with its timely take on the occupational hazards for female identified creatives on the Internet, particularly relatable ...
The Pale Door is the latest offering from Aaron B. Koontz, a filmmaker who’s quickly becoming one of the most interesting voices working in horror right now. In keeping with how different Scare ...
Climate Of The Hunter is the latest feature from the incredibly prolific Mickey Reece, who has described his directorial style as “people talking in rooms”. That certainly applies to Clima...
In Kevin Tran’s feature debut, The Dark End of the Street, he ostensibly tells the story of a pet killer wreaking havoc in a suburb. Really though, the plot of the film almost doesn’t ma...
Rayburn Swanson’s life has been shaped by the disappearance of his daughter. Once a hunter, he now runs a remote wildlife sanctuary at the edge of an expansive wilderness. It’s penance, ...