Michael Beach Nichols’ documentary Wrinkles The Clown sets out (in part) to explore modern folklore and the way that information and urban legends are circulated in the digital era. Un...
The news about the release of The Grudge (2020) came as a surprise because I really didn’t think this was a story worth retelling (again). During 2000-2010, there was an influx of Asian films re...
The Rabid Dog’s House is a recurring feature at Wicked Horror where contributor Justin Steele uncovers hidden gems, lost classics, and overlooked indie offerings. Flying solo or with the o...
The House on Mansfield Street from Mansfield Dark Productions (see my interview here) follows Nick, a documentarian who moves to a smaller city to advance his career. After moving to a quiet apartment...
Upon its initial release, the majority of critics panned Dracula 2000. The film was accused of being a shameless rip-off of superior material and not brining anything new or noteworthy to the table. T...
There are not a lot of slasher movies that have become classics in the horror genre. Psycho is widely thought of as the grand-daddy of the sub-genre and is viewed as one of the best hor...
Upon its release in 1989, critics universally panned Shocker. It was a modest box office success but certainly didn’t set any records. Due to bad reviews and a less than perfect screenplay from...
The release of Black Christmas 2019 brings with it a lot of baggage, given the title’s connection to the beloved 1974 original and its unfairly maligned, yet inarguably messy, 2006 remake. Haven...
Jennifer Reeder’s Knives and Skin has frequently been compared to David Lynch’s Twin Peaks. It’s a good comparison. Both focus on the waves of grief that ripple out through a smal...