Blog
The Subject is an Ambitious, Flawed Jason Biggs Vehicle [Charlotte Film Festival Review]
The Subject marks the first big, serious role American Pie star Jason Biggs (“Don’t yo...
Bleed With Me Is A Chilling Look At Toxic Female Friendships [Charlotte Film Festival Review]
Rowan (Lee Marshall), the protagonist of Amelia Moses’ Bleed With Me, is clearly far too used ...
Scare Me is a Shudder Shut-in Dramedy-Thriller with Dark Turns [Review]
If you’re a fan of Aya Cash’s turn as a dark character on You’re The Worst, tha...
Brea Grant Thinks It’s Time Older Women’s Stories Were Told [Interview]
As an actress, Brea Grant has enjoyed a prolific and celebrated career. She’s particularly be...
Graveyards of Honor Collects the Original and Remake [Blu-Ray Review]
“He always wanted to be a Yakuza, ever since he was a little boy” an unidentified inte...
Zoom Murders are Changing Online Crime, Here’s How
Turning on your webcam as you adjust your professional top and hide your slouchy bottoms has become ...
The Horror Crowd is a Rushed Mess [Charlotte Film Fest Review]
The Horror Crowd is director Ruben Pla’s, himself a prolific actor who’s appeared in t...
VHS Massacre Too Is A Documentary Too Eager To Fast Forward [Charlotte Film Festival Review]
Thomas Edward Seymour’s VHS Massacre Too is the second feature length documentary from the cre...