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Black Site Has No Reason To Exist [Frightfest 2018 Review]
Black Site is described on IMDb as “80’s inspired John Carpenteresque Action (sic),̶...
Anthony DiBlasi Talks Extremity [Exclusive Interview]
Anthony DiBlasi is one of the most prolific filmmakers working in horror today. With a diverse ...
Death Kiss does Chuck Bronson proud [Review]
Death Kiss, the latest from Oakland-based auteur Rene Perez — the same guy who gave us The Bu...
Ella Hunt on Anna and the Apocalypse [Frightfest Exclusive Interview]
Anna and the Apocalypse is one of those rare treats; a horror movie that’s heart-warming and g...
New on Netflix: September 28th, 2018
Welcome to New on Netflix, a feature here at Wicked Horror in which we provide the latest updates on...
Robert Englund Will Play Freddy Krueger One More Time (Sort of)
Here’s the good news: Robert Englund will be playing Freddy Krueger one more time. The bad new...
Crystal Eyes Is A Lurid, Garish, Giallo [Frightfest 2018 Review]
Crystal Eyes is a giallo movie set in Buenos Aires with dialogue entirely in Spanish, as befits that...
Wolfman’s Got Nards Rules So Hard [Frightfest 2018 Review]
How would you define a cult movie? Is it something like The Rocky Horror Picture Show, which found l...