Oren Peli is largely responsible for the popularity and success of the found footage sub-genre as we know it today. While he wasn’t the first filmmaker to try his hand at the POV filmmaking styl...
Jenn Wexler isn’t looking to make a little bit of noise with her debut feature. The Ranger, a punk rock slasher in the truest sense, is loud, proud, and very violent. It screams for attention. T...
Charles Band is one of the most successful independent producers in the genre’s history. He helped spearhead the VHS boom with Wizard Video, he helped create two of the first licensed horror ga...
Marli Siu isn’t the Anna of Anna and the Apocalypse. Instead, she occupies the much-maligned best friend role, the space occupied by less traditionally attractive women (or, even more egregiousl...
André Gower knows how much The Monster Squad means to people, because he’s a member of the damn thing. The actor, still most well-known 30 years later for playing Stephen King super-fan Sea...
John McPhail never really envisioned himself as a horror director, given his most successful feature prior to the barnstorming Anna and the Apocalypse was micro-budget rom-com Where Do We Go From Here...
Henry Darrow McComas may not be a name you’ve heard before, but the prolific producer, director, editor, and writer has been working away steadily in the background for years on projects vast an...
Joseph Kahn isn’t exactly what one might call a prolific filmmaker, with just three three films to his name to date. Of those, the hilariously unhinged slasher Detention is, clearly, of most int...
Mark Benton will be a familiar face to British readers, having enjoyed a varied and successful television career on that side of the pond for many years, appearing in the likes of Midsomer Murders, Th...