Issue three of The Reckoning, the penultimate issue of every Buffy comic season as a whole, is at least the best of this new miniseries to date. This episode feels like the show on every conceivable l...
There are some franchises that will always continue on, no matter what. Dracula and Frankenstein have proven that they’ll be around forever, both lasting over a century. While the jury’s...
Creature feature fans will know that, more often than not, the promise of a brand new film to drool over is tinged with the anxiety of knowing it’s probably going to turn out to be a load of CGI...
Incident In A Ghostland‘s title card utilizes a font not seen since the National Treasure franchise. Its tagline, “True evil never dies,” and accompanying marketing material seem to ...
Braid, the debut feature from writer-director Mitzi Peirone, is a difficult film to describe. IMDb has a go, but somehow manages to confuse the issue further: Two wanted women decide to rob their weal...
People who don’t like modern horror movies frequently point to the jump scares. I’ve defended them in other reviews (here, here, and here), because they’re not the problem. Jumpsc...
Horror and punk rock should be better bedfellows. For whatever reason, metal tends to copulate with our beloved genre more often than its angrier, rougher cousin. Only Green Room (read our review) ...
Trench 11 is a film of meat and potatoes in several respects. Visually, it consists mostly of a group of men shining dim yellow lights onto the dusty walls of underground tunnels. Claustrophobic, but ...
It’s been two years since Evan Dorkin published the last Beasts Burden, What the Cat Dragged In. Two years is a long time to wait between installments in the episodic series. The premise should...